Vilém Flusser has long been known and celebrated as a media theorist and only recently have other facets of his accomplishments come to light, clearly establishing Flusser as a key thinker. His oeuvre reveals engagement with a wide array of disciplines, from communication studies, posthuman philosophy, media studies, and history to art and art history, migrant studies, anthropology, and film studies.
In Brazil, Flusser published his first three books, Lingua e realidade (1963), A Historia do Diabo (1965) and Da religiosidade (1967), as well as more than 250 articles, essays and glosses in newspapers and magazines from 1960 onwards.